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	<description>Legal advice for artists living in Ontario</description>
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		<title>ALAS receives Law Foundation of Ontario Responsive Grant to expand legal supports for artists</title>
		<link>https://www.alasontario.ca/news/alas-receives-law-foundation-of-ontario-responsive-grant-to-expand-legal-supports-for-artists/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=alas-receives-law-foundation-of-ontario-responsive-grant-to-expand-legal-supports-for-artists</link>
		
		<dc:creator><![CDATA[Celeste Cole]]></dc:creator>
		<pubDate>Wed, 18 Feb 2026 20:11:26 +0000</pubDate>
				<category><![CDATA[News]]></category>
		<guid isPermaLink="false">https://www.alasontario.ca/?p=1819</guid>

					<description><![CDATA[<p>The post <a href="https://www.alasontario.ca/news/alas-receives-law-foundation-of-ontario-responsive-grant-to-expand-legal-supports-for-artists/">ALAS receives Law Foundation of Ontario Responsive Grant to expand legal supports for artists</a> appeared first on <a href="https://www.alasontario.ca">ALAC</a>.</p>
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		<h1 data-start="285" data-end="442">Funding Update <img src="https://s.w.org/images/core/emoji/15.0.3/72x72/1f389.png" alt="🎉" class="wp-smiley" style="height: 1em; max-height: 1em;" /></h1>
<p data-start="285" data-end="442">We’re excited to share that ALAS has been awarded a two-year Responsive Grant from the <span class="hover:entity-accent entity-underline inline cursor-pointer align-baseline"><span class="whitespace-normal">Law Foundation of Ontario</span></span> (LFO), beginning March 2026.</p>
<p data-start="444" data-end="755">LFO’s Responsive grants support community-led projects that improve access to justice in Ontario, including work that advances legal education, legal research, and services with legal content. Grants can support projects for up to $250,000 per year for up to two years.</p>
<p data-start="757" data-end="953">This funding means we can strengthen and grow ALAS’s core programming, so more artists across Ontario can access timely legal information, practical support, and clearer pathways to next steps.</p>
<h3 data-start="955" data-end="999">What this grant will support (2026–2028)</h3>
<p data-start="1001" data-end="1071">Over the next two years, we’ll be focusing on:</p>
<p data-start="1073" data-end="1357">1) The ALAS Legal Clinic<br data-start="1101" data-end="1104" />We’ll continue to offer summary legal information to artists’ real-world needs, including contracts, copyright questions, payment issues, workplace concerns, and more, so artists can better understand their options and make informed decisions.</p>
<p data-start="1359" data-end="1578">2) Legal education sessions<br data-start="1390" data-end="1393" />Public-facing sessions that translate legal concepts into plain language, designed for working artists across disciplines, and relevant to the realities of creative work.</p>
<p data-start="1580" data-end="1816">3) Our legal resource database<br data-start="1614" data-end="1617" />We’ll keep developing and updating our resource library so that artists, legal professionals, and arts organizations can more easily find reliable information, templates, and explainers in one place.</p>
<p data-start="1818" data-end="2007">Together, these programs help reduce confusion before it becomes conflict, and support more sustainable relationships between artists, presenters, producers, commissioners, and institutions.</p>
<h3 data-start="2009" data-end="2058">Why this matters: artists and access to justice</h3>
<p data-start="2060" data-end="2274">Artists are running businesses, signing agreements, licensing work, collaborating across sectors, and navigating complex power dynamics, often without the legal infrastructure that other industries take for granted.</p>
<p data-start="2276" data-end="2468">This grant helps us keep doing what ALAS does best: connecting artists to legal understanding and support, without gatekeeping language, and without assuming people already know the system.</p>
<p data-start="2470" data-end="2682">It also supports the intersecting community around this work: lawyers, law students, and allied professionals who want to contribute their skills in ways that are practical, ethical, and rooted in community need.</p>
<h3 data-start="2684" data-end="2703">Updates to come</h3>
<p data-start="2705" data-end="2872">One of our goals with this funding is to share progress in a way that’s easy to follow and easy to act on. Over the next two years, you can expect periodic updates on:</p>
<ul data-start="2874" data-end="3086">
<li data-start="2874" data-end="2941">
<p data-start="2876" data-end="2941">Clinic improvements and what we’re learning from recurring issues</p>
</li>
<li data-start="2942" data-end="2993">
<p data-start="2944" data-end="2993">New and refreshed resources added to the database</p>
</li>
<li data-start="2994" data-end="3034">
<p data-start="2996" data-end="3034">Upcoming education sessions and topics</p>
</li>
<li data-start="3035" data-end="3086">
<p data-start="3037" data-end="3086">Ways artists and legal volunteers can participate</p>
</li>
</ul>
<p data-start="3088" data-end="3191"><em data-start="3088" data-end="3191">(If you’re arriving here from our newsletter, welcome. This page will be updated as the work unfolds.)</em></p>
<h3 data-start="3193" data-end="3229">Stay connected / calls to action</h3>
<ul data-start="3231" data-end="3625">
<li data-start="3231" data-end="3338">
<p data-start="3233" data-end="3338"><strong>Artists in Ontario:</strong> Keep an eye on our clinic and education pages for upcoming dates and resources.</p>
</li>
<li data-start="3339" data-end="3524">
<p data-start="3341" data-end="3524"><strong>Lawyers &amp; law students:</strong> If you’re interested in volunteering your time and skills, we’d love to hear from you (clinic support, session support, resource review, or other roles).</p>
</li>
<li data-start="3525" data-end="3625">
<p data-start="3527" data-end="3625"><strong>Supporters: </strong>Sharing ALAS with your networks helps more artists find us when they need support.</p>
</li>
</ul>
<p data-start="3627" data-end="3757">Thank you to the Law Foundation of Ontario for supporting access to justice work in Ontario.</p>
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<p>The post <a href="https://www.alasontario.ca/news/alas-receives-law-foundation-of-ontario-responsive-grant-to-expand-legal-supports-for-artists/">ALAS receives Law Foundation of Ontario Responsive Grant to expand legal supports for artists</a> appeared first on <a href="https://www.alasontario.ca">ALAC</a>.</p>
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		<title>Navigating Disputes in Entertainment Law: The Role of Alternative Dispute Resolution and Small Claims Court in Ontario</title>
		<link>https://www.alasontario.ca/uncategorized/navigating-disputes-in-entertainment-law-the-role-of-alternative-dispute-resolution-and-small-claims-court-in-ontario/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=navigating-disputes-in-entertainment-law-the-role-of-alternative-dispute-resolution-and-small-claims-court-in-ontario</link>
		
		<dc:creator><![CDATA[Tyler Kowalchuk]]></dc:creator>
		<pubDate>Mon, 28 Jul 2025 17:39:37 +0000</pubDate>
				<category><![CDATA[Uncategorized]]></category>
		<guid isPermaLink="false">https://www.alasontario.ca/?p=1673</guid>

					<description><![CDATA[<p>Written by Kimberly Barbosa Creative collaboration is at the heart of the arts and entertainment industry, but even the most well-intentioned partnerships can face challenges. Whether the issue involves a...</p>
<p>The post <a href="https://www.alasontario.ca/uncategorized/navigating-disputes-in-entertainment-law-the-role-of-alternative-dispute-resolution-and-small-claims-court-in-ontario/">Navigating Disputes in Entertainment Law: The Role of Alternative Dispute Resolution and Small Claims Court in Ontario</a> appeared first on <a href="https://www.alasontario.ca">ALAC</a>.</p>
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										<content:encoded><![CDATA[<p><em>Written by Kimberly Barbosa</em></p>
<p><span style="font-weight: 400;">Creative collaboration is at the heart of the arts and entertainment industry, but even the most well-intentioned partnerships can face challenges. Whether the issue involves a contract dispute, a licensing disagreement, or clashing creative visions, unresolved conflicts can threaten both relationships and reputations. In response, many in Ontario’s entertainment sector are increasingly turning to Alternative Dispute Resolution (ADR) to manage disputes in a way that is faster, more private, and better suited to the collaborative nature of creative work.</span></p>
<p><span style="font-weight: 400;">ADR encompasses several approaches to resolving disputes outside of traditional court settings. These methods include:</span></p>
<ul>
<li style="font-weight: 400;" aria-level="1"><b>Negotiation:</b><span style="font-weight: 400;"> This involves the parties directly discussing their issues to reach a mutual agreement. It is an informal and flexible process where the parties work together to find a solution that suits everyone involved.</span></li>
<li style="font-weight: 400;" aria-level="1"><b>Mediation:</b><span style="font-weight: 400;"> A neutral third party helps facilitate communication between the parties. This mediator guides them towards a mutually acceptable resolution. Mediation is particularly popular in the entertainment industry because it promotes collaboration and maintains professional relationships. It often leads to creative solutions that may not be possible in a courtroom setting.</span></li>
<li style="font-weight: 400;" aria-level="1"><b>Arbitration:</b><span style="font-weight: 400;"> In this more formal process, an independent arbitrator hears both sides of the dispute and makes a decision. This decision is usually binding, meaning both parties agree to accept it as final. Arbitration can be a good choice when parties want a definitive resolution without the formality of court.</span></li>
</ul>
<p><span style="font-weight: 400;">These ADR methods offer more flexibility, privacy, and often quicker results compared to traditional litigation. For those in the entertainment industry, where time is crucial and reputations are on the line, ADR has become a popular choice.</span></p>
<p><span style="font-weight: 400;">One of the main reasons ADR is becoming an increasingly valued tool in the entertainment sector is its ability to preserve relationships. Unlike court battles that can escalate tensions and damage professional connections, ADR allows people to address their concerns in a more cooperative, collaborative, and constructive way. This is particularly important in an industry built on networking and relationships.</span></p>
<p><span style="font-weight: 400;">Confidentiality is another significant advantage of ADR. Unlike court cases, which are public records, ADR proceedings are private. This confidentiality is especially valuable when dealing with sensitive issues, such as contract disputes or allegations of misconduct, where public exposure could harm one’s reputation and career.</span></p>
<p><span style="font-weight: 400;">While artists are encouraged to pursue ADR options, it is important to consider that ADR or attempts to get an ADR process started does not pause any limitation periods under Ontario law or any deadlines set out in your contract. If you are exploring legal options like starting a court action, being mindful of these deadlines or checking in with a lawyer can help you stay on track.</span></p>
<p><span style="font-weight: 400;">In Ontario, small claims court also offers an option for resolving disputes, especially those involving small amounts of money. It provides a simpler and faster way to handle disputes up to a certain financial limit, which varies by jurisdiction. While small claims court can be useful for recovering unpaid fees or damages, it may not be the best choice for more complex issues. The monetary limit for claims in Ontario is currently $35,000, and available remedies are generally limited to monetary awards or the return of property. It is important to note that these limits vary across provinces. For more details on how small claims court works in Ontario, including how to file a claim or access online services, readers may find the following resources helpful:</span></p>
<ul>
<li style="font-weight: 400;" aria-level="1"><a href="https://www.ontario.ca/page/suing-someone-small-claims-court"><span style="font-weight: 400;">Suing Someone in Small Claims Court – Ontario.ca</span></a></li>
<li style="font-weight: 400;" aria-level="1"><a href="https://www.ontario.ca/page/ministry-attorney-general"><span style="font-weight: 400;">Small Claims Court E-Filing User Guide – Ministry of the Attorney General</span></a></li>
<li style="font-weight: 400;" aria-level="1"><a href="https://www.ontariocourts.ca/scj/areas-of-law/small-claims-court/"><span style="font-weight: 400;">Small Claims Court – Ontario Superior Court of Justice</span></a><span style="font-weight: 400;"> </span></li>
</ul>
<p><span style="font-weight: 400;">One downside of small claims court is its limited scope and remedies. It may not be equipped to address intricate issues common in the entertainment industry, such as copyright infringement or defamation. Additionally, the confrontational nature of court proceedings can strain relationships and prolong resolution.</span></p>
<p><span style="font-weight: 400;">Despite its limitations, small claims court remains a practical option for quick resolution of certain disputes. Its straightforward procedures and low costs make it appealing for matters where the financial stakes are relatively low, and the issues are straightforward.</span></p>
<p><span style="font-weight: 400;">In summary, ADR methods like negotiation, mediation, and arbitration provide valuable tools for resolving conflicts in Ontario’s arts and entertainment industry. Mediation, in particular, stands out for its ability to foster collaboration, preserve relationships, and ensure privacy, which in turn helps individuals handle disputes more effectively and focus on their creative work. While small claims court is also an option for some cases, its suitability depends on the nature and complexity of the dispute. As the entertainment industry evolves, ADR will continue to play a key role in maintaining harmony and fostering productive relationships among its creators and producers.</span></p>
<p><br style="font-weight: 400;" /><b>*Please note that this article is intended for informational purposes only and does not constitute legal advice. For advice specific to your situation, please consult a qualified lawyer</b></p>
<p>The post <a href="https://www.alasontario.ca/uncategorized/navigating-disputes-in-entertainment-law-the-role-of-alternative-dispute-resolution-and-small-claims-court-in-ontario/">Navigating Disputes in Entertainment Law: The Role of Alternative Dispute Resolution and Small Claims Court in Ontario</a> appeared first on <a href="https://www.alasontario.ca">ALAC</a>.</p>
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		<title>Know Your Rights: Scope of licensing your copyrights</title>
		<link>https://www.alasontario.ca/copyright/know-your-rights-scope-of-licensing-your-copyrights/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=know-your-rights-scope-of-licensing-your-copyrights</link>
		
		<dc:creator><![CDATA[Tyler Kowalchuk]]></dc:creator>
		<pubDate>Wed, 29 May 2024 17:02:33 +0000</pubDate>
				<category><![CDATA[Copyright]]></category>
		<guid isPermaLink="false">https://www.alasontario.ca/?p=1437</guid>

					<description><![CDATA[<p>Written by Sarah Zivoin with contributions from Tony Duarte and Marian Hebb.</p>
<p>The post <a href="https://www.alasontario.ca/copyright/know-your-rights-scope-of-licensing-your-copyrights/">Know Your Rights: Scope of licensing your copyrights</a> appeared first on <a href="https://www.alasontario.ca">ALAC</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p>Written by Sarah Zivoin with contributions from Tony Duarte and Marian Hebb.</p>

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		<p><b>Know your rights: Scope of licensing your copyrights</b></p>
<p><span style="font-weight: 400;">If you have created and own an original literary, dramatic including choreographic and cinematographic, musical or artistic work, you have copyright in that work – governed by Canada’s </span><a href="https://laws-lois.justice.gc.ca/eng/acts/C-42/index.html"><i><span style="font-weight: 400;">Copyright Act</span></i></a> <span style="font-weight: 400;">in Canada and applicable legislation elsewhere in the world. You may have originated the work entirely yourself or you may have adapted a work created by someone else into a different form or type of work, thereby creating a new original work based on or derived from that work created by someone else, subject to their authorization (e.g., a stage play by you based on a novel by that other author). </span></p>
<p><span style="font-weight: 400;">Copyright is a bundle of rights comprising the sole right to produce and reproduce the work or any substantial part of it in any material form, to perform it or any substantial part of it, to publish it if unpublished, and including the rights to translate it, broadcast, webcast and otherwise telecommunicate it and use other important rights which differ somewhat depending on the type of work. Those rights of copyright have value, and you as creator and owner of a work have the right to license and charge a fee for the use of your licensed rights. </span></p>
<p><span style="font-weight: 400;">The scope of a licence can be as narrow or as broad as you negotiate. Below is an example of a possible grant in a licence agreement:</span></p>
<p><span style="font-weight: 400;">       The Owner grants to the Licensee an irrevocable</span><span style="font-weight: 400;">, non-exclusive</span><span style="font-weight: 400;">, one-year</span><span style="font-weight: 400;">, worldwide in the English language</span><span style="font-weight: 400;">, royalty-free</span><span style="font-weight: 400;">, non-transferable</span><span style="font-weight: 400;">               licence to display</span><span style="font-weight: 400;"> the work in the background of an internal training video for ABC Company.  </span></p>
<p><span style="font-weight: 400;">In this example you, as owner of the copyright, are called the “Owner” and the purchaser of your licence, ABC Company, is called the “Licensee”.</span></p>
<p><span style="font-weight: 400;">Before elaborating upon the scope of the rights that may be granted under a licence, it is important to understand the terminology.  A licence is the permission given to a person (the “licensee”) to do something using a right or rights in a work – granted by a person who has the right to provide such permission or authorization (the “owner” or, in some agreements, the “licensor”). Note that a licence of rights is not an “assignment” of those specified rights that would result in a transfer of your ownership to another person or business entity. </span></p>
<p><span style="font-weight: 400;">When contemplating whether you wish to enter into a licence agreement for your work, you need to make some decisions about the objectives of the licence. For example, do you want to let only one person or business entity use a particular right in your work, where and for how long? A licence may seem complicated as there are a number of ways in which grants of rights are customizable and can be delineated in a licence agreement that you create or negotiate into an agreement. </span></p>
<p><span style="font-weight: 400;">To help clear up some uncertainty about some of the language used to describe grants of rights that may be included in licences and to assist with negotiations, this article discusses below the scope of grants commonly found in a licence:   </span></p>
<ol>
<li style="font-weight: 400;" aria-level="1"><b>Revocable vs. Irrevocable</b></li>
</ol>
<p><span style="font-weight: 400;">Licensees will often request an irrevocable licence. This is because once the licence is granted the licensor cannot take it back unilaterally for the duration of the licence agreement. In other words, if you grant an irrevocable licence to your work and you no longer wish the licensee to use the licensed rights, the licensee may prevent you from ending their licence earlier than the end of the licence or the existing term of the licence, which may be automatically renewable. If you want to give yourself the right to stop the licensee’s use of your work before the licence ends, you should negotiate a revocable licence specifying conditions that would allow you to terminate it (e.g., non-payment, non-use for a specified period or 6 months’ notice at any time). </span></p>
<ol>
<li style="font-weight: 400;" aria-level="1"><b>Exclusive vs. Non-exclusive</b></li>
</ol>
<p><span style="font-weight: 400;">As the creator and owner of a copyright, you are able, by way of a licence, to grant to others either exclusive or non-exclusive rights to use some or all of the rights comprising the copyright of your work. If you were to license the exclusive right to use a specific right or specific rights included in copyright, you would be giving those rights to the licensee alone. No one else, including yourself, could then use the rights in your work that you’ve granted exclusively to that licensee. On the other hand, granting a non-exclusive licence to a right of copyright in your work means that you can grant the same right to multiple licensees and still use it yourself.</span></p>
<p><span style="font-weight: 400;">An exclusive licence of all or specified rights in a work is considered to be a grant of a kind of  “interest” in the copyright which, if granted together with a right of the licensee to take legal action for infringement of copyright, </span><span style="font-weight: 400;">legally permits the exclusive licensee to itself take that legal action regarding the </span><b>licensed rights</b><span style="font-weight: 400;">, although you remain the copyright owner. This right of action, as it is called, is not something a non-exclusive </span><b>licensee</b><span style="font-weight: 400;"> can have</span><span style="font-weight: 400;">.   </span></p>
<p><span style="font-weight: 400;">An exclusive licence must be in writing and signed by you or someone authorized by you. Make it clear in the licence that your grant of rights is a licence – and not an “assignment” of your licensed rights – since it is your intention only to transfer and relinquish all economic interest in those licensed rights to the licensee for the duration of the licence and it is not your intention to lose the economic interest in them permanently. You must also ensure, if you’ve already granted certain exclusive rights in your work in a licence to someone, that the rights that you have previously licensed (and sometimes certain non-exclusive rights) are carved out or omitted from subsequent grants of exclusive or non-exclusive rights that you might want to license subsequently to other licensees.</span></p>
<p><span style="font-weight: 400;">You might be tempted to think that licensing non-exclusive rights to your work is uncomplicated because you can continue to license the same rights to others without problems but, for example, if you license a </span><b>non-exclusive</b><span style="font-weight: 400;"> right to your work in one country, you cannot then license the same right </span><b>exclusively</b><span style="font-weight: 400;"> to another licensee either in that country or throughout the world. The order in which you license rights and whether a right is licensed exclusively or non-exclusively are among the most important economic choices you make in licensing, not only for what you gain, but also for what you may be foregoing. </span></p>
<ol>
<li style="font-weight: 400;" aria-level="1"><b>Time Limited vs. Duration “throughout the term of copyright”</b></li>
</ol>
<p><span style="font-weight: 400;">The right to use your work granted in a licence can be for as short a duration as you would like or as long as can be granted for the “term” or length of copyright protection specified in Canada’s </span><i><span style="font-weight: 400;">Copyright Act</span></i><span style="font-weight: 400;"> and applicable legislation elsewhere.  For example, you can grant the right to use specified rights in your work for a month, a year, 5 years or up to the end of copyright protection – which for most authors in Canada, the United States, the European Union and many other countries is 70 years following the end of the calendar year of death of the author.  </span></p>
<p><span style="font-weight: 400;">Note that references to “perpetual” licences or to a grant of rights “in perpetuity” or “forever” should be avoided or the intended and agreed meaning clarified because different understandings, particularly with respect to potentially overriding reversionary rights in Canada and elsewhere, could lead to uncertainty and confusion.  </span></p>
<p><span style="font-weight: 400;">A licence agreement may also state that a time-limited term (e.g., a one-year period) is renewed for another period automatically or can be renewed only if certain conditions are met by the licensee. These conditions could include, for example, that the licensee be required to give you notice in writing that they want to renew, or that they must have generated a certain amount in sales in their use of the licence during the initial or previous term of the licence before they can use any right to renew the licence term. </span></p>
<ol>
<li style="font-weight: 400;" aria-level="1"><b>Limited Language and Geographic Territory vs. Worldwide</b></li>
</ol>
<p><span style="font-weight: 400;">Another way to restrict or narrow the rights granted in the licence of copyright in your work is by specifying the language or languages in which the work may used and specifying where the licensed rights can be used. A licence may be only for use of the rights in the language in which the work was written by the author or it may authorize use only in a particular city or province, or in a larger territory (e.g., in the English language in Canada and other specified countries) – or it may cover worldwide use in any specific language or languages. A translation of a work in a specified language is commonly licensed for publication throughout the world or a territory that includes specified countries where the language is in common use, whereas publication of the original language version of the work is more often restricted by country.  </span></p>
<ol>
<li style="font-weight: 400;" aria-level="1"><b>Royalty vs. Royalty-free</b></li>
</ol>
<p><span style="font-weight: 400;">Royalty payments are a way to receive money for the use of copyright in your work instead of, or in addition to, any fixed fee or fees paid for the licence.  How royalties are calculated when included in a licence can depend on a number of different factors. The most common approach would be to calculate a royalty to the creator based on a percentage of the licensee’s gross or net sales revenue from their use of the rights specified in the licence granted. When a royalty applies, it is also common to require a minimum payment (e.g., an unreturnable “advance” of future royalties calculated on a book’s list or retail price, payable to the author in stages such as on signing a publishing agreement, on delivery of the manuscript and on the publisher’s publication of the work). For you as copyright owner, a royalty based on the licensee’s total or “gross” sales revenues is generally preferable because no deductions would have been taken from sales before the royalty percentage is applied.  If the royalty is instead based on “net” sales revenues, then these should be defined as the gross sales revenues less certain specified deductions, which should be as limited as possible.  These deductions generally do include the licensee’s out-of-pocket costs to collect revenues from any of their sub-licences (e.g., foreign currency exchange costs, currency transmission costs, and unrecovered foreign withholding taxes).</span></p>
<p><span style="font-weight: 400;">A “royalty-free” licence means that you won’t receive any payment or additional payment from your licensee over the course of the licence agreement based upon the financial success of their use of your work. However, you would still be entitled to any fees that you may have negotiated and specify in exchange for the licence to use your work.  </span></p>
<p><span style="font-weight: 400;">It is not unusual, and sometimes intentional, for a licence agreement prepared by a licensee to describe a royalty in a way that is no longer really a “royalty” as commonly understood. Sometimes, for example, a royalty based on net sales revenues is defined to allow such a broad range of deductions to arrive at the “net” that they can deduct most of their costs of doing business and is closer to being a share of their “net profits”, which is far more uncertain than a royalty.  </span></p>
<p><span style="font-weight: 400;">Any licence that includes a percentage royalty or a share of revenues or profits for the copyright owner, whether or not based on retail sales or “net” or “gross” amounts received, should also include obligations for the licensee to keep proper accounting records, deliver detailed statements to you and make periodic payments and permit your examination of their accounting books and records to verify the accounting statements and payments. </span></p>
<ol>
<li style="font-weight: 400;" aria-level="1"><b>Transferable vs. Non-transferable </b></li>
</ol>
<p><span style="font-weight: 400;">A licensee may ask that their licence to use your work or specified rights in your work be transferable.  A transferable licence agreement would give your licensee more flexibility to change how they do business without necessarily asking for your permission. This would allow the licensee to transfer their licence by assignment to another individual or business entity (related or unrelated to them) without any communication to you or consent from you. There are sometimes reasons why a licence may not, or should not, be transferable. Consequently, it may be important for a licence agreement to prohibit any transfer without the written consent of the licensor who owns copyright. If you choose not to allow a licence to be transferable, the licence agreement can simply state that it shall not be assigned without your prior written consent. Simply prohibiting transfers of a licence does not prevent a licensee from sub-licensing specified rights if the licence authorizes this (e.g., a licensed producer or publisher might still be allowed to sub-licence its own licensed rights in a production or publication to another producer or publisher for their use, but remain accountable to you for the sub-licensed uses).  </span></p>
<p><span style="font-weight: 400;">Remember that an assignment of a licence including specified rights, unlike an assignment of those rights in your work (e.g., on a sale of rights), does not transfer your copyright ownership of those rights.</span></p>
<ol>
<li style="font-weight: 400;" aria-level="1"><b>Restricted Use vs. Unlimited Use</b></li>
</ol>
<p><span style="font-weight: 400;">The right granted to a licensee to use your work can be for narrow or broad purposes – or not specified at all. The licensee would often prefer unlimited use, so they would have no restrictions on the purpose of their use of the rights in your work or whatever rights they are licensed to use. That could include, for example, rights to produce or reproduce your work including publication and sale in physical and digital forms and to exhibit or perform it in public including by webcast or broadcast.  As you likely don’t want the grant to be so broad, you can restrict how a licensee can use your work. For example:</span></p>
<ul>
<li style="font-weight: 400;" aria-level="1"><span style="font-weight: 400;">publish the work (e.g., a poem) within a pamphlet for local distribution in a named city;</span></li>
<li style="font-weight: 400;" aria-level="1"><span style="font-weight: 400;">read or recite the work (e.g., an entire short story) at an event in a named community centre; </span></li>
<li style="font-weight: 400;" aria-level="1"><span style="font-weight: 400;">adapt the work (e.g., a novel) into a theatrical play in the French language for production and live performance in Canada and France;</span></li>
<li style="font-weight: 400;" aria-level="1"><span style="font-weight: 400;">telecommunicate the work (e.g., a television documentary) for exhibition at a specific event (described); or </span></li>
<li style="font-weight: 400;" aria-level="1"><span style="font-weight: 400;">display the work (e.g., a sculpture) for a 2-month long exhibition in a named hospital. </span></li>
</ul>
<p><span style="font-weight: 400;">Don’t forget that, as well as being able to narrow or place restrictions on use of your economic rights, you have moral rights in your work unless you waive them. The licensing agreement should have provisions, for example, on how you wish your name to be used, or perhaps not used, in connection with uses of your economic rights and what approvals or rights to comment you will have as development and production of a work or a work based on or derived from your work progresses. </span></p>
<p><span style="font-weight: 400;">As mentioned, licences can be complicated but knowing what rights you have in the copyright of your work and their potential scope will help you decide how you would like to authorize use of your work. </span></p>
<p><i><span style="font-weight: 400;">This article is informational and not intended as a substitute for legal advice</span></i></p>
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<p>The post <a href="https://www.alasontario.ca/copyright/know-your-rights-scope-of-licensing-your-copyrights/">Know Your Rights: Scope of licensing your copyrights</a> appeared first on <a href="https://www.alasontario.ca">ALAC</a>.</p>
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		<title>Think before you post: Considerations for when posting content on social media platforms</title>
		<link>https://www.alasontario.ca/individual-rights/think-before-you-post-considerations-for-when-posting-content-on-social-media-platforms/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=think-before-you-post-considerations-for-when-posting-content-on-social-media-platforms</link>
		
		<dc:creator><![CDATA[Tyler Kowalchuk]]></dc:creator>
		<pubDate>Thu, 25 Apr 2024 21:27:32 +0000</pubDate>
				<category><![CDATA[Individual Rights]]></category>
		<guid isPermaLink="false">https://www.alasontario.ca/?p=1422</guid>

					<description><![CDATA[<p>The post <a href="https://www.alasontario.ca/individual-rights/think-before-you-post-considerations-for-when-posting-content-on-social-media-platforms/">Think before you post: Considerations for when posting content on social media platforms</a> appeared first on <a href="https://www.alasontario.ca">ALAC</a>.</p>
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		<p><em>Written by Sarah Zivoin with contributions from Tony Duarte and Marian Hebb</em></p>
<p><em> </em></p>
<p><b>Think before you post: Considerations when posting content on social media platforms</b></p>
<p><span style="font-weight: 400;">With the increasing popularity of social media platforms as a means for creative expression and sharing of ideas, invariably questions arise as to what right do you have in the content you post and in other content you may find online.  This article will break down factors for consideration before you post content and afterwards.</span></p>
<p><b><i>Before you post</i></b></p>
<p><span style="font-weight: 400;">When using mainstream social media platforms, you agree to certain terms and conditions of use.  These terms and conditions may change over time and are posted on their sites.  One common requirement to meet when posting is that you have the right to post the content.  This requirement seeks to prevent claims of copyright infringement, but there are additional concerns.  Consequently, before you post, ask yourself:</span></p>
<ol>
<li style="font-weight: 400;" aria-level="1"><b>Does your post have content that you did not create and that may use the intellectual property or other rights of others?</b><span style="font-weight: 400;"> If yes, you may need to obtain approval from anyone who created, owns and has intellectual property or other rights to that content.  For example, if you use music in the background of a video post that was not provided and authorized for use by the social media platform, you may need to obtain permission to use copyrights in the music.  Some social media platforms may enter into mass licence agreements with the songwriters and music publishers that have the rights to a catalogue of music as well as mass licenses with the record companies that control rights to a catalogue of  sound recordings.  These mass licenses may include the music and recordings you want to use on that platform. So, if you are using music clips authorized from the social media platform, you may not need to obtain any additional permissions from the songwriters, publishers and record companies that are rightsholders – but if in doubt you should check to see whether you need to obtain a licence for such rights.  </span></li>
</ol>
<p><span style="font-weight: 400;">          If creating video content, it is easy to accidentally include intellectual  property owned by others or the visible identification of individuals or              businesses simply by being unaware of what is in view.  In addition to the issue of obtaining a license to use the copyright in such things as                  photographs and paintings depicted in your video, you should also consider whether there may be invasion of privacy of individuals, whether            they are featured or are merely identifiable in the background.  Any of these kinds of use may create a need for you to either remove or                        digitally mask these in editing or obtain approval of the individuals or companies visibly identified or the logos, trademarks, or other                            intellectual property which may be reproduced within your content. </span></p>
<p>2.<b> Is your post for commercial or non-commercial purposes? </b><span style="font-weight: 400;">  If your original post is a new work that uses someone else’s                                   existing work which is publicly available, Canada’s </span><a href="https://laws-lois.justice.gc.ca/eng/acts/C-42/index.html"><i><span style="font-weight: 400;">Copyright Act</span></i></a><span style="font-weight: 400;"> may shield you from a claim of copyright infringement if:</span><b></b><b></b></p>
<ul>
<li style="list-style-type: none;">
<ul>
<li aria-level="1"><span style="font-weight: 400;">your post is solely for non-commercial purposes;</span></li>
</ul>
</li>
</ul>
<ul>
<li style="list-style-type: none;">
<ul>
<li aria-level="1"><span style="font-weight: 400;">you mention the source of the existing work if it is reasonable in the circumstances to do so;</span></li>
</ul>
</li>
</ul>
<ul>
<li style="list-style-type: none;">
<ul>
<li aria-level="1"><span style="font-weight: 400;">you reasonably believe that the existing work is not infringing copyright; and</span></li>
</ul>
</li>
</ul>
<ul>
<li style="list-style-type: none;">
<ul>
<li aria-level="1"><span style="font-weight: 400;">your post does not have a substantial adverse effect, financial or otherwise on the existing work and is not a substitute for it.</span></li>
</ul>
</li>
</ul>
<p><span style="font-weight: 400;">      Whether your post is for non-commercial purposes is also relevant when using content from the media libraries on social media platforms.                The reason for this limitation is that the rights these platforms receive from the original creators or other owners of works may be                                  restricted to personal or non-commercial use on the platform.  Since the social media platforms cannot provide greater rights in the works in            their media  libraries than they themselves hold, some copyright content available to use on the platform is only for the personal use of                        platform users for non-commercial purposes. </span><b></b></p>
<p>3.<b> Is how you are using the content covered by the fair dealing exemption in the </b><b><i>Copyright Act</i></b><b>?  </b><span style="font-weight: 400;">Using someone else’s copyright          in Canada without their permission may be considered “fair dealing” under Canada’s </span><i><span style="font-weight: 400;">Copyright Act</span></i><span style="font-weight: 400;"> and fair dealing may be a defence to a claim        of infringement if it is for the purposes of research, private study, education, news reporting, parody or satire. The reasoning behind this                      exemption from copyright infringement – more often described as an “exception” – is that the use may be for societal benefit. When evaluating        whether the “fairness” test of fair dealing has been met, the courts will look at:</span></p>
<ul>
<li style="list-style-type: none;">
<ul>
<li aria-level="1"><b>the purpose of the dealing </b><span style="font-weight: 400;">(e.g., was the post for commercial or non-commercial reasons?);</span></li>
</ul>
</li>
</ul>
<ul>
<li style="list-style-type: none;">
<ul>
<li aria-level="1"><b>the character of the dealing </b><span style="font-weight: 400;">(e.g., was the post widely distributed?);</span></li>
</ul>
</li>
</ul>
<ul>
<li style="list-style-type: none;">
<ul>
<li aria-level="1"><b>the amount of the dealing </b><span style="font-weight: 400;">(e.g., how much or what proportion of the work copied is in the content of your post? &#8211; generally, the less amount of the work used, the better);</span></li>
</ul>
</li>
</ul>
<ul>
<li style="list-style-type: none;">
<ul>
<li aria-level="1"><b>any alternatives to the dealing</b><span style="font-weight: 400;"> (e.g., could you have used something other than reproduced material from the work copied in your post?);</span></li>
</ul>
</li>
</ul>
<ul>
<li style="list-style-type: none;">
<ul>
<li aria-level="1"><b>the nature of the work </b><span style="font-weight: 400;">(e.g., is it factual or fictional work used in your post? &#8211; using material from a factual work is more likely to be considered fair); and</span></li>
</ul>
</li>
</ul>
<ul>
<li style="list-style-type: none;">
<ul>
<li style="font-weight: 400;" aria-level="1"><b>the effect of the dealing on the work </b><span style="font-weight: 400;">(e.g., is there any effect on the market value of the work copied?.</span></li>
</ul>
</li>
</ul>
<p><span style="font-weight: 400;">      There may be other factors that help you to assess “fairness”.  It is not always easy to be objective when you consider factors that can                            make one kind of proposed use “fair” (and not an infringement of copyright) while another proposed use is unfair (and will be an                                  infringement).  Since the copyright owner has the right to take any use of fair dealing to court if they dispute it, this exception should always be          carefully and cautiously considered.  </span></p>
<p>4. <b>Does your post contain any disparaging content? </b><span style="font-weight: 400;">Care should be taken to avoid referencing an individual or company in a negative                 light. If your content or any content created by others which you repeat refers to an individual or company in such a manner as to lower their             reputation in the eyes of your followers or others, the individual or company may have a claim against you for defamation. </span></p>
<p><b><i>After you post</i></b></p>
<p><span style="font-weight: 400;">Once you post on social media, you are still the copyright owner of your post if it is an original work and anyone who had rights in part of the content of your post will continue to retain their rights.  For example, if you use copyright content from a social media library in your post you will not gain any ownership of such content. Rather, the social media platform will continue to hold rights in that content within your post. Nor will you have the right to post your post elsewhere without getting any necessary permission.                             </span></p>
<p><span style="font-weight: 400;">Generally, the terms and conditions of social media platforms state that when you post original copyright material on its platform, you grant it a licence to use your post. Such a licence may allow the social media platform to host, use, distribute and copy your post and to create “derivative works” (i.e., works based on your work).  It will also allow other users of the platform to use your post, including copying your post and creating derivative works based on your posted copyright material. This permits re-posts, likes of your post or other interactions with your post on that platform.  </span></p>
<p><span style="font-weight: 400;">The licence granted to a social media platform for your post will last as long as you don’t delete the post from their platform.  Once you do, it does not automatically delete your content that is posted collectively with material of other users such as in a shared album or that is re-posted by others. In such instances, only when those other users delete their post from their account will your post be completely deleted.  </span></p>
<p><span style="font-weight: 400;">If you do not want your posts to potentially live indefinitely on a social media platform, you may wish to reconsider how you share your copyright content online.  For example, you may want to create a website which provides notice of your copyright to viewers.  Your website may have certain restricted areas with access through password protection which limits who can gain access to your content. This method may better protect your copyright but then has the potential to not have the exposure that you would have had on popular social media platforms.  When deciding how you want to share your copyright content, you will need to weigh these considerations and determine what is your ultimate objective. </span></p>
<p><i><span style="font-weight: 400;">This article is informational and not intended as a substitute for legal advice.</span></i></p>
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<p>The post <a href="https://www.alasontario.ca/individual-rights/think-before-you-post-considerations-for-when-posting-content-on-social-media-platforms/">Think before you post: Considerations for when posting content on social media platforms</a> appeared first on <a href="https://www.alasontario.ca">ALAC</a>.</p>
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		<title>To Waive or Not Waive Moral Rights</title>
		<link>https://www.alasontario.ca/copyright/to-waive-or-not-waive-moral-rights/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=to-waive-or-not-waive-moral-rights</link>
		
		<dc:creator><![CDATA[Tyler Kowalchuk]]></dc:creator>
		<pubDate>Thu, 25 Apr 2024 21:15:06 +0000</pubDate>
				<category><![CDATA[Copyright]]></category>
		<guid isPermaLink="false">https://www.alasontario.ca/?p=1419</guid>

					<description><![CDATA[<p>Written by Sarah Zivoin with contributions from Tony Duarte and Marian Hebb. To Waive or Not to Waive Moral Rights A creator of an original work acquires the right to...</p>
<p>The post <a href="https://www.alasontario.ca/copyright/to-waive-or-not-waive-moral-rights/">To Waive or Not Waive Moral Rights</a> appeared first on <a href="https://www.alasontario.ca">ALAC</a>.</p>
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										<content:encoded><![CDATA[<p>Written by Sarah Zivoin with contributions from Tony Duarte and Marian Hebb.</p>
<p><b>To Waive or Not to Waive Moral Rights</b></p>
<p><span style="font-weight: 400;">A creator of an original work acquires the right to protect the integrity of the work as well as the right to be associated with it either by name or pseudonym or to remain anonymous.  These rights are considered “moral rights” of the creator.  Moral rights cannot be transferred, whether by licence or assignment, even on the sale of the copyright of a work.  They are personal to the creator and live with the creator until they eventually pass on to the beneficiary of the creator’s moral rights upon the creator’s death, and subsequently pass to that beneficiary’s beneficiary of the creator’s moral rights, and so on.  After death, a creator’s moral rights continue to exist and may be exercised by those beneficiaries of the creator’s moral rights for 70 years after the end of the calendar year of the creator’s passing.  There are, however, situations in which moral rights may not be exercised. According to Canada’s </span><a href="https://laws-lois.justice.gc.ca/eng/acts/C-42/index.html"><i><span style="font-weight: 400;">Copyright Act</span></i></a><span style="font-weight: 400;">, moral rights may be “waived” in whole or in part by either the creator of the work or a beneficiary of the creator’s moral rights.     </span></p>
<p><i><span style="font-weight: 400;">What is a waiver and how is it granted?</span></i></p>
<p><span style="font-weight: 400;">A waiver is a renunciation or a surrender of a right, privilege or claim.  When a creator waives their moral rights, they can do so in writing, or orally or impliedly in some instances, given the nature of the work.  A waiver need not be for all moral rights with respect to a work.  For example, the creator may waive their right to have their name associated with the work for a particular purpose or project while still maintaining their right to ensure the integrity of the work – at least to the extent that there is, in the language of the </span><i><span style="font-weight: 400;">Copyright Act,</span></i><span style="font-weight: 400;"> no prejudice to their honour or reputation.  The waiver itself should be in writing for certainty, but need not be complicated. It could simply be stated that the creator waives their moral rights in the work “in favour of” a named person or organization for a purpose or project.  However, a creator should always be cautious when deciding whether to waive moral rights as once they grant such a waiver, they cannot unilaterally reassert those particular waived moral rights.</span></p>
<p><i><span style="font-weight: 400;">Why is a waiver of moral rights important to your employer or purchaser of your work?</span></i></p>
<p><span style="font-weight: 400;">As mentioned, moral rights in a work cannot be transferred, even by sale of a work or if created by an employed creator. For example, in an instance where you sell your painting and copyright to your painting, the purchaser of your painting may “own” your painting but, if you did not waive your moral rights in the painting, you still hold moral rights in it. Similarly,  in another instance, if you upload a photograph you’ve taken for your employer to your employer’s website as part of your duties as an employee but without waiving your moral rights in the photograph, you still hold moral rights in the photograph.  As moral rights restrict how a purchaser or an employer may wish to use a work that they own, it is common commercial practice for creators to be asked to waive their moral rights in their work so it can be changed without their permission.  Depending upon the circumstances, you may be able to negotiate a higher price for your work in exchange for waiving your moral rights in it.   You may also be able to negotiate something less than a complete waiver.  For example, in a written agreement you might allow changes to be made to your work but retain the right to be credited as the creator or a co-creator or you might decide to remove your credit or negotiate the right to keep the right to do so subsequently.</span></p>
<p><i><span style="font-weight: 400;">This article is informational and not intended as a substitute for legal advice.</span></i></p>
<p>The post <a href="https://www.alasontario.ca/copyright/to-waive-or-not-waive-moral-rights/">To Waive or Not Waive Moral Rights</a> appeared first on <a href="https://www.alasontario.ca">ALAC</a>.</p>
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		<title>ALAS 2023 Progress Report</title>
		<link>https://www.alasontario.ca/news/1411/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=1411</link>
		
		<dc:creator><![CDATA[Tyler Kowalchuk]]></dc:creator>
		<pubDate>Thu, 25 Apr 2024 13:03:03 +0000</pubDate>
				<category><![CDATA[News]]></category>
		<guid isPermaLink="false">https://www.alasontario.ca/?p=1411</guid>

					<description><![CDATA[<p>The post <a href="https://www.alasontario.ca/news/1411/">ALAS 2023 Progress Report</a> appeared first on <a href="https://www.alasontario.ca">ALAC</a>.</p>
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<p>The post <a href="https://www.alasontario.ca/news/1411/">ALAS 2023 Progress Report</a> appeared first on <a href="https://www.alasontario.ca">ALAC</a>.</p>
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		<title>Think before you post: Considerations when posting content on social media platforms</title>
		<link>https://www.alasontario.ca/compliance/think-before-you-post-considerations-when-posting-content-on-social-media-platforms/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=think-before-you-post-considerations-when-posting-content-on-social-media-platforms</link>
		
		<dc:creator><![CDATA[Tyler Kowalchuk]]></dc:creator>
		<pubDate>Mon, 15 Apr 2024 14:15:42 +0000</pubDate>
				<category><![CDATA[Compliance]]></category>
		<guid isPermaLink="false">https://www.alasontario.ca/?p=1398</guid>

					<description><![CDATA[<p>The post <a href="https://www.alasontario.ca/compliance/think-before-you-post-considerations-when-posting-content-on-social-media-platforms/">Think before you post: Considerations when posting content on social media platforms</a> appeared first on <a href="https://www.alasontario.ca">ALAC</a>.</p>
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		<p><em>Written by Sarah Zivoin with contributions from Tony Duarte and Marian Hebb.</em></p>
<p><span style="font-weight: 400;">With the increasing popularity of social media platforms as a means for creative expression and sharing of ideas, invariably questions arise as to what right do you have in the content you post and in other content you may find online.  This article will break down factors for consideration before you post content and afterwards.</span></p>
<p><span style="text-decoration: underline;"><b><i>Before you post</i></b></span></p>
<p><span style="font-weight: 400;">When using mainstream social media platforms, you agree to certain terms and conditions of use.  These terms and conditions may change over time and are posted on their sites.  One common requirement to meet when posting is that you have the right to post the content.  This requirement seeks to prevent claims of copyright infringement, but there are additional concerns.  Consequently, before you post, ask yourself:</span></p>
<p><b>1. Does your post have content that you did not create and that may use the intellectual property or other rights of others?  </b><span style="font-weight: 400;">If yes, you may need to obtain approval from anyone who created, owns and has intellectual property or other rights to that content.  For example, if you use music in the background of a video post that was not provided and authorized for use by the social media platform, you may need to obtain permission to use copyrights in the music.  Some social media platforms may enter into mass licence agreements with the songwriters and music publishers that have the rights to a catalogue of music as well as mass licenses with the record companies that control rights to a catalogue of  sound recordings.  These mass licenses may include the music and recordings you want to use on that platform. So, if you are using music clips authorized from the social media platform, you may not need to obtain any additional permissions from the songwriters, publishers and record companies that are rightsholders – but if in doubt you should check to see whether you need to obtain a licence for such rights.  </span></p>
<p><span style="font-weight: 400;">If creating video content, it is easy to accidentally include intellectual property owned by others or the visible identification of individuals or businesses simply by being unaware of what is in view.  In addition to the issue of obtaining a license to use the copyright in such things as photographs and paintings depicted in your video, you should also consider whether there may be invasion of privacy of individuals, whether they are featured or are merely identifiable in the background.  Any of these kinds of use may create a need for you to either remove or digitally mask these in editing or obtain approval of the individuals or companies visibly identified or the logos, trademarks, or other intellectual property which may be reproduced within your content. </span></p>
<p><b>2. Is your post for commercial or non-commercial purposes? </b><span style="font-weight: 400;">  If your original post is a new work that uses someone else’s existing work which is publicly available, Canada’s </span><a href="https://laws-lois.justice.gc.ca/eng/acts/C-42/index.html"><i><span style="font-weight: 400;">Copyright Act</span></i></a><span style="font-weight: 400;"> may shield you from a claim of copyright infringement if:</span></p>
<ul>
<li aria-level="1"><span style="font-weight: 400;">your post is solely for non-commercial purposes;</span></li>
</ul>
<ul>
<li aria-level="1"><span style="font-weight: 400;">you mention the source of the existing work if it is reasonable in the circumstances to do so;</span></li>
</ul>
<ul>
<li aria-level="1"><span style="font-weight: 400;">you reasonably believe that the existing work is not infringing copyright; and</span></li>
</ul>
<ul>
<li aria-level="1"><span style="font-weight: 400;">your post does not have a substantial adverse effect, financial or otherwise on the existing work and is not a substitute for it.</span></li>
</ul>
<p><span style="font-weight: 400;">Whether your post is for non-commercial purposes is also relevant when using content from the media libraries on social media platforms.  The reason for this limitation is that the rights these platforms receive from the original creators or other owners of works may be restricted to personal or non-commercial use on the platform.  Since the social media platforms cannot provide greater rights in the works in their media libraries than they themselves hold, some copyright content available to use on the platform is only for the personal use of platform users for non-commercial purposes. </span></p>
<p><b>3. Is how you are using the content covered by the fair dealing exemption in the </b><b><i>Copyright Act</i></b><b>?  </b><span style="font-weight: 400;">Using someone else’s copyright in Canada without their permission may be considered “fair dealing” under Canada’s </span><i><span style="font-weight: 400;">Copyright Act</span></i><span style="font-weight: 400;"> and fair dealing may be a defence to a claim of infringement if it is for the purposes of research, private study, education, news reporting, parody or satire. The reasoning behind this exemption from copyright infringement – more often described as an “exception” – is that the use may be for societal benefit. When evaluating whether the “fairness” test of fair dealing has been met, the courts will look at:</span><b></b><b></b></p>
<ul>
<li aria-level="1"><b>the purpose of the dealing </b><span style="font-weight: 400;">(e.g., was the post for commercial or non-commercial reasons?);</span></li>
</ul>
<ul>
<li aria-level="1"><b>the character of the dealing </b><span style="font-weight: 400;">(e.g., was the post widely distributed?);</span></li>
</ul>
<ul>
<li aria-level="1"><b>the amount of the dealing </b><span style="font-weight: 400;">(e.g., how much or what proportion of the work copied is in the content of your post? &#8211; generally, the less amount of the work used, the better);</span></li>
</ul>
<ul>
<li aria-level="1"><b>any alternatives to the dealing</b><span style="font-weight: 400;"> (e.g., could you have used something other than reproduced material from the work copied in your post?);</span></li>
</ul>
<ul>
<li aria-level="1"><b>the nature of the work </b><span style="font-weight: 400;">(e.g., is it factual or fictional work used in your post? &#8211; using material from a factual work is more likely to be considered fair); and</span></li>
</ul>
<ul>
<li style="font-weight: 400;" aria-level="1"><b>the effect of the dealing on the work </b><span style="font-weight: 400;">(e.g., is there any effect on the market value of the work copied?.</span></li>
</ul>
<p><span style="font-weight: 400;">There may be other factors that help you to assess “fairness”.  It is not always easy to be objective when you consider factors that can make one kind of proposed use “fair” (and not an infringement of copyright) while another proposed use is unfair (and will be an infringement).  Since the copyright owner has the right to take any use of fair dealing to court if they dispute it, this exception should always be carefully and cautiously considered.  </span></p>
<p><b>4. Does your post contain any disparaging content? </b><span style="font-weight: 400;">Care should be taken to avoid referencing an individual or company in a negative light. If your content or any content created by others which you repeat refers to an individual or company in such a manner as to lower their reputation in the eyes of your followers or others, the individual or company may have a claim against you for defamation. </span></p>
<p><span style="text-decoration: underline;"><b><i>After you post</i></b></span></p>
<p><span style="font-weight: 400;">Once you post on social media, you are still the copyright owner of your post if it is an original work and anyone who had rights in part of the content of your post will continue to retain their rights.  For example, if you use copyright content from a social media library in your post you will not gain any ownership of such content. Rather, the social media platform will continue to hold rights in that content within your post. Nor will you have the right to post your post elsewhere without getting any necessary permission.                             </span></p>
<p><span style="font-weight: 400;">Generally, the terms and conditions of social media platforms state that when you post original copyright material on its platform, you grant it a licence to use your post. Such a licence may allow the social media platform to host, use, distribute and copy your post and to create “derivative works” (i.e., works based on your work).  It will also allow other users of the platform to use your post, including copying your post and creating derivative works based on your posted copyright material. This permits re-posts, likes of your post or other interactions with your post on that platform.  </span></p>
<p><span style="font-weight: 400;">The licence granted to a social media platform for your post will last as long as you don’t delete the post from their platform.  Once you do, it does not automatically delete your content that is posted collectively with material of other users such as in a shared album or that is re-posted by others. In such instances, only when those other users delete their post from their account will your post be completely deleted.  </span></p>
<p><span style="font-weight: 400;">If you do not want your posts to potentially live indefinitely on a social media platform, you may wish to reconsider how you share your copyright content online.  For example, you may want to create a website which provides notice of your copyright to viewers.  Your website may have certain restricted areas with access through password protection which limits who can gain access to your content. This method may better protect your copyright but then has the potential to not have the exposure that you would have had on popular social media platforms.  When deciding how you want to share your copyright content, you will need to weigh these considerations and determine what is your ultimate objective. </span></p>
<p><i><span style="font-weight: 400;">This article is informational and not intended as a substitute for legal advice.</span></i></p>
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<p>The post <a href="https://www.alasontario.ca/compliance/think-before-you-post-considerations-when-posting-content-on-social-media-platforms/">Think before you post: Considerations when posting content on social media platforms</a> appeared first on <a href="https://www.alasontario.ca">ALAC</a>.</p>
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		<title>Call for Board Members</title>
		<link>https://www.alasontario.ca/uncategorized/call-for-board-members/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=call-for-board-members</link>
		
		<dc:creator><![CDATA[Tyler Kowalchuk]]></dc:creator>
		<pubDate>Fri, 08 Mar 2024 20:17:30 +0000</pubDate>
				<category><![CDATA[Uncategorized]]></category>
		<guid isPermaLink="false">https://www.alasontario.ca/?p=1340</guid>

					<description><![CDATA[<p>About Us For over 35 years, Artists and Lawyers for the Advancement of Creativity (ALAC) has been supporting Ontario’s artistic community by providing pro bono summary legal advice, information and...</p>
<p>The post <a href="https://www.alasontario.ca/uncategorized/call-for-board-members/">Call for Board Members</a> appeared first on <a href="https://www.alasontario.ca">ALAC</a>.</p>
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<strong>About Us</strong></p>
<p>For over 35 years, Artists and Lawyers for the Advancement of Creativity (ALAC)<br />
has been supporting Ontario’s artistic community by providing pro bono summary<br />
legal advice, information and education to artists and creators.</p>
<p>ALAC is operated by volunteer lawyers, fellow creators and law students who<br />
generously donate their time to help Ontario’s creative community harness legal<br />
knowledge to further their artistic endeavours.</p>
<p>ALAC is looking for dedicated individuals to join its Board of Directors. If you are<br />
a lover of the arts and are ready to join a hands-on working board that is<br />
passionate about supporting Ontario artists, then this may be an opportunity for<br />
you. ALAC is about to embark on its first 5-year strategic plan which is focused<br />
on three core pillars:</p>
<ol>
<li>Sustain and grow our programs and services in accordance with the<br />
organization’s mission to empower artists through access to summary<br />
legal advice, information and education.</li>
<li>Have an inclusive environment in all of its governance and operations and<br />
particularly involve historically marginalized artists and communities in<br />
helping shape ALAC’s programming and services.</li>
<li>Continue to build cohesion and respectful relationships amongst artists,<br />
arts workers, lawyers and law students to provide legal advice and support<br />
to artists, while prioritizing the need to ensure a breadth of relationships<br />
that reflect the diversity of Ontario’s arts community.</li>
</ol>
<p>ALAC’s Board will take a hands-on role in fulfilling our strategic plan. In addition,<br />
Board members will be asked to sit on specific committees, including fundraising,<br />
events, clinic, governance, and various other ad hoc committees.</p>
<p>As an organization representing a diverse sector, ALAC has embarked on an<br />
anti-racism organizational change process and is committed to diversifying its<br />
Board. We particularly encourage applications from Black people, Indigenous<br />
people, people of colour, people with disabilities, members of the 2SLGBTQ+<br />
community and those with varied areas of expertise and lived experiences.</p>
<p><strong>Board of Directors</strong></p>
<p>Several positions are coming vacant on the Board.<br />
Directors of ALAC meet four to six times a year through a combination of in-<br />
person and videoconference meetings. Board Meetings are usually between 1 to<br />
2 hours and take place in the evening.</p>
<p>Board members are expected to join a committee or working group. The time<br />
commitment varies but is usually 2 or 3 hours per month. ALAC also encourages<br />
our Board Directors that are eligible to join our duty counsel rosters for the legal<br />
clinic and to volunteer to lead educational sessions.</p>
<p>You do not need to a lawyer to join the Board of Directors.</p>
<p><strong>Call for Nominations/Expressions of Interest</strong></p>
<p>Nominations and expressions of interest should be submitted by March 22,<br />
2024, to Tyler Kowalchuk (admin@alasontario.ca).</p>
<p>Timelines:</p>
<p><strong>March 22, 2024</strong>: ALAC Board will meet to review submissions.<br />
<strong>March 25 to March 29th</strong> : ALAC Board members will meet with a short list of<br />
candidates<br />
<strong>April 1st, 2024</strong>: All applicants, both successful and unsuccessful, will be notified<br />
of the Board’s decision.<br />
<strong>By mid April, 2024</strong>: Prospective Board Members will be invited to attend a Board Meeting and formally meet the Board</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p><a href="https://www.alasontario.ca/wp-content/uploads/2024/03/Shortened-Board-Package-2024-2.pdf">Board Package 2024</a></p>
<p>The post <a href="https://www.alasontario.ca/uncategorized/call-for-board-members/">Call for Board Members</a> appeared first on <a href="https://www.alasontario.ca">ALAC</a>.</p>
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		<title>Assignment vs. Licensing Copyright</title>
		<link>https://www.alasontario.ca/copyright/assignment-vs-licensing-copyright-2/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=assignment-vs-licensing-copyright-2</link>
		
		<dc:creator><![CDATA[Tyler Kowalchuk]]></dc:creator>
		<pubDate>Thu, 22 Feb 2024 14:23:32 +0000</pubDate>
				<category><![CDATA[Copyright]]></category>
		<guid isPermaLink="false">https://www.alasontario.ca/?p=1332</guid>

					<description><![CDATA[<p>Written by Sarah Zivoin. &#160; Assignment vs. Licensing Copyright If you have a copyright in your work, that right exists separate and apart from the physical work itself. In other...</p>
<p>The post <a href="https://www.alasontario.ca/copyright/assignment-vs-licensing-copyright-2/">Assignment vs. Licensing Copyright</a> appeared first on <a href="https://www.alasontario.ca">ALAC</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p><em>Written by Sarah Zivoin.</em></p>
<p>&nbsp;</p>
<p><b>Assignment vs. Licensing Copyright</b></p>
<p><span style="font-weight: 400;">If you have a copyright in your work,</span> <span style="font-weight: 400;">that right exists separate and apart from the physical work itself. In other words, if you were to give your manuscript or your published work in book form to someone, that act of giving the work in a physical form does not transfer your copyright interest in it. To do so, you would need to either “assign” copyright or exclusively “license” it to that person  – if by an exclusive licence, you would retain ownership but not control. Canada’s </span><a href="https://laws-lois.justice.gc.ca/eng/acts/C-42/index.html"><i><span style="font-weight: 400;">Copyright Act</span></i></a><span style="font-weight: 400;"> states that an assignment or licence granting a copyright interest in your work, either in whole or in part (e.g., the right to publish in book form), generally needs to be in writing in order for it to be valid. Further, that written assignment or exclusive licence must be either signed by you as the owner of copyright or by someone authorized to sign on your behalf.  A non-exclusive licence may be oral or implied but, for certainty, should be in writing.</span></p>
<p><span style="font-weight: 400;">The difference between assignment and licensing can be illustrated by an example of someone looking for a home. The person could choose to purchase a house and acquire all the rights and obligations as related to house ownership or could lease a house for a certain period of time to be returned to the owner once the lease term expires. If you were to assign all of your copyright to someone, that transaction is analogous to the above example of purchasing a house. An assignment of all of your copyright in a work transfers your copyright interest to another person completely so that you no longer have any present or future ownership interest in it (other than a possible contingent interest of your estate to revert copyright 25 years after your death). That person has the right then to enforce the copyright against anyone who may infringe it, including you. By contrast, since copyright is a bundle of rights, a licence is similar to the lease example above in that the person to whom you granted the licence has your permission for a specified period of time to use your work in certain ways which might otherwise constitute an infringement of your rights. Such grant of a licence does not change your ownership in the copyright of the work – unlike an assignment of specified rights of copyright, which would transfer ownership of part of your copyright. Granting an exclusive licence precludes you from using the rights you have licensed, but if you grant a non-exclusive licence you retain the right to use any right you have licensed and may also license others to use it.</span></p>
<p><span style="font-weight: 400;">It should be noted that while you can give away your work in a physical form, provide a written assignment granting either ownership of all or certain rights in your copyright, or grant an exclusive or non-exclusive licence for all or certain rights in your copyright to someone else, you still retain moral rights in your work unless you “waive” them. Moral rights include the right to receive credit for creating the work as well as some rights with respect to its integrity. The only way for you to give up your moral rights is to waive them. Such waiver may be restricted to specified moral rights and may only be in favour of, or benefit, certain persons. It need not be in writing though that’s best for certainty &#8211; it may be provided orally or occasionally even impliedly, given the nature of your work. It is not usually necessary, and often not desirable, to waive your moral rights simply because you sell or license your copyright.  </span></p>
<p>&nbsp;</p>
<p><i><span style="font-weight: 400;">This article is informational and not intended as a substitute for legal advice. </span></i></p>
<p>The post <a href="https://www.alasontario.ca/copyright/assignment-vs-licensing-copyright-2/">Assignment vs. Licensing Copyright</a> appeared first on <a href="https://www.alasontario.ca">ALAC</a>.</p>
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		<title>What do I own now that I’ve created my masterpiece?</title>
		<link>https://www.alasontario.ca/intellectual-property/1327/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=1327</link>
		
		<dc:creator><![CDATA[Tyler Kowalchuk]]></dc:creator>
		<pubDate>Thu, 22 Feb 2024 14:17:19 +0000</pubDate>
				<category><![CDATA[Intellectual Property]]></category>
		<guid isPermaLink="false">https://www.alasontario.ca/?p=1327</guid>

					<description><![CDATA[<p>The post <a href="https://www.alasontario.ca/intellectual-property/1327/">What do I own now that I’ve created my masterpiece?</a> appeared first on <a href="https://www.alasontario.ca">ALAC</a>.</p>
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		<p><em>Written by Sarah Zivoin </em></p>
<p>&nbsp;</p>
<p><b>What do I own now that I’ve created my masterpiece?</b></p>
<p><span style="font-weight: 400;">In addition to the physical work that you’ve created, you’ve also established various economic and non-economic rights in it which are protected under Canada’s </span><a href="https://laws-lois.justice.gc.ca/eng/acts/C-42/index.html"><i><span style="font-weight: 400;">Copyright Act</span></i></a> <span style="font-weight: 400;">in Canada and under copyright legislation elsewhere.</span></p>
<ul>
<li aria-level="1"><b>Economic Rights</b></li>
</ul>
<p><span style="font-weight: 400;">As the creator of an original work, you may have the right to produce, reproduce, publish, perform or telecommunicate (e.g., broadcast) any version of it as well as to authorize others to use these and other rights.  These rights may be transferred by an assignment or an exclusive licence to another person in exchange for “consideration”.  In this instance, “consideration” is legal terminology meaning something of value received by the creator in the exchange with the other person, usually money.  The </span><i><span style="font-weight: 400;">Copyright Act </span></i><span style="font-weight: 400;">provides that in order for this transaction to be legally binding, it needs to be in writing and signed by you as the owner of copyright or signed by another person authorized by you.   </span><b></b></p>
<ul>
<li aria-level="1"><b>Non-Economic Rights</b></li>
</ul>
<p><span style="font-weight: 400;">Non-economic rights, otherwise known as “moral rights”, can be broken down into two rights that you may have as the creator of an original work:</span></p>
<ol>
<li style="font-weight: 400;" aria-level="1"><span style="font-weight: 400;"><span style="text-decoration: underline;">Right of accreditation or attribution for the work</span>.</span><span style="font-weight: 400;">  This is the right of the original creator of the work to be credited, if reasonable in the circumstances.   For example, you can choose to be named as its creator, to use a pseudonym or to remain anonymous. </span></li>
<li style="font-weight: 400;" aria-level="1"><span style="text-decoration: underline;"><span style="font-weight: 400;">Right to maintain the integrity of the work</span></span><span style="font-weight: 400;"><span style="text-decoration: underline;">.</span> This right enables the original creator of the work to preserve its integrity to the extent that there will be no “prejudice” to their honour or reputation, including the authenticity of a work.  In the case of a painting, sculpture or engravings (“sculpture” and “engravings” are defined in the </span><i><span style="font-weight: 400;">Copyright Act</span></i><span style="font-weight: 400;">), the work may not be changed in any manner without the original creator’s permission, but a court would probably view and treat changes to some other artistic works similarly.  This right also allows you choice as to whether you want your work to be associated with products, services, causes or institutions. For example, you may be able to claim moral rights infringement if, without your permission, your work is displayed together with things that are contrary to what you would wish your work to stand for and this threatens your good name as a result.   </span></li>
</ol>
<p><span style="font-weight: 400;">Why moral rights are “non-economic” is because they cannot be sold or given away.  Even if you were to sell the copyright to your work, you still retain your moral rights in it.  The only way for you to give up your moral rights is to “waive” them generally or in favour of a named person or entity.  The waiver does not need to be in writing – it may be oral or it may be implied in some circumstances.  It can be for all or some of your moral rights and for any length of time up to the end of your work’s copyright protection.    </span></p>
<p><span style="font-weight: 400;">Keep in mind that the economic and non-economic rights provided by copyright ownership are also different from the ownership of a physical work.  For example, you might sell a sculpture to someone but that does not necessarily mean that you have sold them your economic rights or waived your non-economic rights in that physical work. The buyer can sell the physical work, but whether they have acquired the right to make or sell copies of it, use photographs of it on postcards, or make any changes to it or to reproductions of it, will depend on whether that buyer also purchased the copyright or obtained a waiver of some or all of your moral rights.  Using written agreements with buyers helps to keep clear exactly what they have purchased or obtained from you. </span></p>
<p>&nbsp;</p>
<p><i><span style="font-weight: 400;">This article is informational and not intended as a substitute for legal advice.</span></i></p>
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<p>The post <a href="https://www.alasontario.ca/intellectual-property/1327/">What do I own now that I’ve created my masterpiece?</a> appeared first on <a href="https://www.alasontario.ca">ALAC</a>.</p>
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